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Books in Roesch Library
Brothers and Beasts by
Despite the availability of several eloquent gender studies of fairy tales, a popular reference on men and fairy tales has so far been nonexistent. Brothers and Beasts offers a new perspective by allowing twenty-three male writers the chance to explore their artistic and emotional relationship to their favorite fairy-tale stories. In their personal essays, the contributors--who include genre, literary, mainstream, and visual media writers--offer new insight into men's reception of fairy tales. Brothers and Beasts, the follow-up to Kate Bernheimer's influential Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales, offers new avenues for research in fairy-tale studies. Bernheimer has invited many well-known writers to contribute to this volume, from Gregory Maguire, whose acclaimed titles include Wicked, Confessions of an Ugly Stepsister, and Son of a Witch, to Robert Coover, one of the premier authors of postmodern fiction, to Neil Gaiman, a well-known fantasy fiction writer and author of graphic novels. With a foreword by Maria Tatar and an afterword by Jack Zipes, the intimate and contemplative essays are framed by insight from two leading fairy-tale studies scholars. Brothers and Beasts proves that men are deeply influenced by the childhood reading of fairy tales, despite the fact that these fantastic and memorable tales are often mistakenly considered to be the domain of women readers and writers. Students and teachers of fairy-tale and gender studies along with readers of contemporary literature will enjoy this accessible and intriguing volume.
Call Number: PS153.M33 B76 2007ISBN: 9780814332672Publication Date: 2007
Contemporary Fairy-Tale Magic by
Contemporary Fairy-Tale Magic, edited by Lydia Brugu and Auba Llompart, studies the impact of fairy tales on contemporary cultures from an interdisciplinary perspective, with special emphasis on how literature and film are retelling classic fairy tales for modern audiences. We are currently witnessing a resurgence of fairy tales and fairy-tale characters and motifs in art and popular culture, as well as an increasing and renewed interest in reinventing and subverting these narratives to adapt them to the expectations and needs of the contemporary public. The collected essays also observe how the influence of academic disciplines like Gender Studies and current literary and cinematic trends play an important part in the revision of fairy-tale plots, characters and themes.
ISBN: 9789004418998Publication Date: 2020
A Cultural History of the Disney Fairy Tale by
This book charts the complex history of the relationship between the Disney fairy tale and the American Dream, demonstrating the ways in which the Disney fairy tale has been reconstructed and renegotiated alongside, and in response to important changes within American society. In all of its fairy tales of the twentieth and twenty-first centuries, the Walt Disney studios works to sell its audiences the national myth of the United States at any one historical moment. With analyses of films and television programmes such as The Little Mermaid (1989), Frozen (2013), Beauty and the Beast (2017) and Once Upon a Time (2011-2018), Mollet argues that by giving its fairy tale protagonists characteristics associated with 'good' Americans, and even by situating their fairy tales within America itself, Disney constructs a vision of America as a utopian space.
ISBN: 9783030501488Publication Date: 2020
Diversity in Disney Films by
Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.
ISBN: 1476600090Publication Date: 2013
DreamWorks Animation by
DreamWorks is one of the biggest names in modern computer-animation: a studio whose commercial success and impact on the medium rivals that of Pixar, and yet has received far less critical attention.The book will historicise DreamWorks' contribution to feature animation, while presenting a critical history of the form in the new millennium. It will look beyond the films' visual aesthetics to assess DreamWorks' influence on the narrative and tonal qualities which have come to define contemporary animated features, including their use of comedy, genre, music, stars, and intertextuality. It makes original interventions in the fields of film and animation studies by discussing each of these techniques in a uniquely animated context, with case studies from Shrek, Antz, Kung Fu Panda, Madagascar, Shark Tale, Bee Movie, Trolls and many others. It also looks at the unusual online afterlife of these films, and the ways in which they have been reappropriated and remixed by subversive online communities.
ISBN: 9783030368500Publication Date: 2020-07
Fairy Tale: a Very Short Introduction by
From wicked queens, beautiful princesses, elves, monsters, and goblins, to giants, glass slippers, poisoned apples, magic keys, and mirrors, the characters and images of fairy tales have cast a spell over readers and audiences, both adults and children, for centuries. These fantastic storieshave travelled across cultural borders, and been passed on from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale.But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration drawson ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. In this Very Short Introduction, Marina Warner digs into a rich hoard of fairy tales in all their brilliant and fantastical variations, in order to define a genre and evaluate a literary form thatkeeps shifting through time and history. Drawing on a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's SnowWhite, Warner forms a persuasive case for fairy tale as a crucial repository of human understanding and culture.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable.
ISBN: 9780199532155Publication Date: 2018-05-01
Fairy Tale Films by
In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, "Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film--the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life--mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales." Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.
ISBN: 9780874217827Publication Date: 2010
Fairy Tales on the Teen Screen by
This book examines how the fairy tale is currently being redeployed and revised on the contemporary teen screen. The author redeploys Victor Turner's work on liminality for a feminist agenda, providing a new and productive method for thinking about girlhood onscreen. While many studies of teenagehood and teen film briefly invoke Turner's concept, it remains an underdeveloped framework for thinking about youth onscreen. The book's broad scope across teen media--including film, television, and online media--contributes to the need for contemporary analysis and theorisation of our multimedia cultural climate.
ISBN: 9783319649726Publication Date: 2017
From Mouse to Mermaid by
From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children s classics as well as the Disney affiliates more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney s duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney s ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes."
ISBN: 0585026882Publication Date: 1995
Heroes, Heroines, and Everything in Between by
Current characters in children's entertainment media illustrate a growing trend of representations that challenge or subvert traditional notions of gender and sexuality. From films to picture books to animated television series, children's entertainment media around the world has consistently depicted stereotypically traditional gender roles and heterosexual relationships as the normal way that people act and engage with one another. Heroes, Heroines, and Everything in Between: Challenging Gender and Sexuality Stereotypes in Children's Entertainment Media examines how this media ecology now includes a presence for nonheteronormative genders and sexualities. It considers representations of such identities in various media products (e.g., comic books, television shows, animated films, films, children's literature) meant for children (e.g., toddlers to teenagers). The contributors seek to identify and understand characterizations that go beyond these traditional understandings of gender and sexuality. By doing so, they explore these nontraditional representations and consider what they say about the current state of children's entertainment media, popular culture, and global acceptance of these gender identities and sexualities.
ISBN: 9781498539579Publication Date: 2017
Investigating Shrek by
An exploration of the social significance of Shrek from a variety of theoretical perspectives, this book pursues two different, yet intertwined objectives. The first is to present Shrek as pedagogical tool that could be usefully employed in a number of different disciplines. Shrek is approached from a political science angle, a sociological perspective, and applied to the tenets of evolutionary psychology. The second objective is concerned with outlining some of the ways in which Shrek is actively bound up with various aspects of social reality - such as capitalism, power relations, inequality, rule and resistance. This book analyzes the green ogre and his companions in a way that is entertaining as well as informative.
Call Number: *ebook is limited to 3 users at a timeISBN: 9780230114159Publication Date: 2011
The Irresistible Fairy Tale by
If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives.
Call Number: GR550 .Z59 2012ISBN: 9780691153384Publication Date: 2012
Mixed Magic by
Mixed Magic: Global-local dialogues in fairy tales for young readers considers retellings and adaptations from a 'glocal' context: a framework focused on the reciprocal and cross-cultural exchange between global processes and local practices and their potential transformative effects. The study examines an eclectic range of retellings from the East and West from the 19th century until the present, among them orientalized picturebook versions of Beauty and the Beast and Bluebeard; Disney's animated classics; Asian versions of Hans Christian Andersen's The Little Mermaid; Gene Luen Yang's graphic novel American Born Chinese; and the fantasy films of Hayao Miyazaki. Drawing on theories of globalization, cognitive narratology, subjectivity, and eastern thought, the book reveals new implications for intertextual analysis. This beautifully illustrated volume is the first sustained study of the effects of global-local and East-West interchanges on representations of self and Others in children's literature and folklore studies.
ISBN: 9789027201621Publication Date: 2017
New Tales for Old by
The timeless themes and versatility of folk tales have helped them survive and flourish over centuries, taking on myriad forms-short story, picture book, film, poem, and novel. This book gathers together a number of popular folktale reworkings (not just simple retellings) in a variety of genres that appeal to young adults. After discussing the nature of folktales, their cultural context, and the characteristics that make them attractive to young adults, de Vos and Altmann interpret specific tales (e.g., The Frog Prince, Cinderella, Rumpelstiltskin), describing their many reworkings and offering suggestions for using the material with young adults.
ISBN: 9781563084478Publication Date: 1999
Why Fairy Tales Stick by
In his latest book, fairy tales expert Jack Zipes explores the question of why some fairy tales "work" and others don't, why the fairy tale is uniquely capable of getting under the skin of culture and staying there. Why, in other words, fairy tales "stick." Long an advocate of the fairy tale as a serious genre with wide social and cultural ramifications, Jack Zipes here makes his strongest case for the idea of the fairy tale not just as a collection of stories for children but a profoundly important genre. Why Fairy Tales Stick contains two chapters on the history and theory of the genre, followed by case studies of famous tales (including Cinderella, Snow White, and Bluebeard), followed by a summary chapter on the problematic nature of traditional storytelling in the twenty-first century.
Call Number: PN3437 .Z58 2006ISBN: 0415977800Publication Date: 2006
